Friday, 7 December 2012
Thursday, 22 November 2012
Tuesday, 13 November 2012
Friday, 2 November 2012
MIRIAM MAKEBA's LEGACY LIVES ON
On 9
November, Tlale Makhene and songstress Zenzi Makeba Lee will perform at the Universal
Hall in Berlin. Among other items on her repertoire, attendees will delight in Zenzi’s most revered a cappella song entitled
"Mama", a traditional Jewish song originally entitled "Yiddisha
Momme" which she always dedicates to her late mother and to all the
mothers of the world. Tlale on the other hand will do a solo performance on
voice and percussions using a loop station set to get the audience on a natural
high as he invites Miriam Makeba’s spirit to sing through him.
It has
been 18 years since the first democratic elections took place in South Africa
and 4 years since the passing of Mama Afrika. In 1994, the bomb that attacked
the ANC building shook flats inhabited by children and adults alike who then
ran chaotically on the streets of Johannesburg for their dear lives. The war
between the Inkatha Freedom Party (IFP) and the African National Congress (ANC)
unfolded, a battle of the hero’s costume. Tlale Makhene was one of those
musicians who in this chaos, still carried on as a soldier of music. During
this time, Zenzi Makeba Lee, Miriam Makeba’s grand-daughter, had just completed
her studies at the Manhattan
School of Music (previously known as Julliard) in New York City. The battle of
the hero’s costume has not yet been won and as human beings, we continue to
find ways to negotiate a civilised human order driven by love and good deeds.
With
that said, one does not have to understand the language of music to feel its
impact. Mama Afrika will once again pass on the baton to Tlale and Zenzi who
have always respected music as an outlet for the spiritual realm to communicate
with and guide us. All we have to do is pay attention to it and it will speak
to us in ways beyond human contribution.
Monday, 29 October 2012
Wednesday, 8 August 2012
A NIGHT TO REMEMBER WITH HLULANI HLANGWANE LIVE @ THE JOY OF JAZZ MUSIC FESTIVAL
South Africa, get ready to be hit by the Hlulani Hlangwane bug
that will make you forget that the world is in recession and give you hope for
a more rewarding future!
Hlulani is a breathtakingly amazing singer.
Her tone places her squarely in the field of jazz divas and her Tsonga heritage
gives her a creative and competitive edge.
Currently, the South African
economy isn’t doing great and there is a sentiment that the music industry is
more volatile than ever. Even more disturbing is that there is an oversupply of
musicians but a massive shortage in music managers. However, Kgomotso le Roux
from IKS Consulting & Promotions www.iksconsulting.co.za,
although she had already been managing Tlale Makhene, Iggy and the Sibikwa Arts
Indigenous Orchestra, could not ignore Hlulani’s talent and decided that the
world needs to hear this lady, “she raises the bar in South African jazz
performance. “, Kgomotso would say.
2008
was a milestone in Hlulani’s career as she was selected best vocalist of the
year by the Standard Bank National Youth Jazz Band for the year. Returning from her three month Vietnam tour in 2009, she has
performed with the likes of Herbie Tsoaeli, Ayanda Sikade, Lucas Senyatso,
Mlungisi Gegana, Feya Faku, RnB American singer Joe, The Spinners, Judith
Sephuma, Jimmy Dludlu, Hugh Masekela and Themba Mkhize.
Hlulani has been growing from strength the strength ever since.
PERFORMANCE
DETAILS:
WHEN: 25 AUGUST
TIME: 11:30PM for 00:00AM
ENTRANCE: FREE
VENUE: NIKKI’S OASIS,
NEWTOWN, 138 BREE STR
Friday, 27 April 2012
Tlale Makhene Highlights for 2012
·
Cape Town International Jazz Festival (28-31
March)
·
Musical Director and mentor for the Sibikwa
African Indigenous Orchestra, January – August
·
More Jazz Series Festival, Maputo, Mozambique –
hosted by Moreira Chonguica featuring Najee (April)
·
“Refuse the Hour” tour with William Kentridge:
1. Frascati
Theatre 18 and 19 June (Amsterdam)
2. Municipal Theatre 7-13 July (Avignon
France)
3. Argentina
Theatre 14 – 18 November (Rome)
Friday, 23 March 2012
Prof. Veit Erlmann...the show will go on...
It was great being interviewed by Prof. Veit Erlmann about the Indigenous Knowledge IP Bill. The orchestra hadn't really thought about the implications of the bill and quite frankly, felt that they will create the way they have been doing because what they express is in essence who they are.
We can't change our history. Even if the bill were to destroy their potential revenue, they wouldn't change their mode of music expression.
The Cape Town tour is going really well and the orchestra is to have the last show at the Baxter theatre. We are looking forward to blowing the Gauteng province away!
We can't change our history. Even if the bill were to destroy their potential revenue, they wouldn't change their mode of music expression.
The Cape Town tour is going really well and the orchestra is to have the last show at the Baxter theatre. We are looking forward to blowing the Gauteng province away!
Monday, 13 February 2012
SIBIKWA ARTS AFRICAN INDIGENOUS ORCHESTRA
The name "Sibikwa African Indigenous Orchestra" has many connotations to it. Other's criticise that it raises expectations of an African orchestra trying to match up to the standards of the western empire.
This Orchestra is not made up of 40 people. It may not even be a chamber orchestra of 24. Some may choose to define it as merely an ensemble. What they don't know is that this is not just any African Marimba Ensemble. The album that they recorded last week represents the sophistication of African music and they aim to harness and raise the bar of world music performance.